Caught my eye the other day – a beautiful engraving of a hawk with each feather etched, and perfect eyes. It was part of a project called the Beehive MesoAmerica project – a network of artists trying to make the world better. The hope was that art can raise people’s consciousness about the problems of people and creatures in threatened places. So dozens of them donated their time to make a gorgeous nature mural. Can art change the world?
A story:
There once was a King who built a great palace. It had magnificent stone towers, and halls and rooms.
He married a queen, whom he loved very much. He decided after they were married that he would make the walls of the palace’s great hall beautiful, as befits his beautiful new bride. But how could he make it good enough? He decided to hold a contest, and invited all the artists of the land to submit their works. The king picked the two artists he liked the most, and showed them the bare walls of the great hall. “This is your challenge,” he told them each. “I give you one year to decorate your wall. You may live here. You may have any materials you wish. You will paint this wall,” he said to the first young artist Leib pointing to the right, “and You will paint this one” he said to the second artist, Rivka, pointing to his left. “I will return in one year to judge your work. Whichever of you has done the best job I will reward with honor, riches, and fame.” The two artists accepted the challenge.
Leib went right to work. He gathered his ideas: Leib loved the natural world, and wanted rainbows, and forests filled with beautiful creatures, and flowing streams, and sparkling stars. He measured, and sketched. He hired a crew of assistants to build a scaffold. By the end of the first month, the sketches and scaffold were built, and he began to fill the wall with his designs
Rivka came each day also to her wall. Each day she sat and stared at her wall all day with a strange look on her face.
Each month, Leib’s genius was revealed. The inspired design, bold figures, perspectives, colors and textures assured the artist that this was indeed his masterpiece – something unique, a new creation. His work filled him with inspiration and excitement.
And still each day, Rivka came and stared at her wall. The end of the year approached. Lieb was very busy putting on finishing touches, taking down the scaffold very carefully. On the last day, in a celebration, he signed his work, and invited his assistants to sign their names. He looked at the finished work and knew it was exceptional. As he was leaving, he noticed Rivka still staring, and her wall just as empty as ever!
The next morning, the king summoned Leib and Rivka to the palace. He entered the great hall for the first time in a year. As he looked at Leib’s wall, tears came to his eyes he was so moved. Never had he seen such a magnificent and moving work of art, full of grace and insight, designed with care – fitting for his bride indeed.
And then he turned and looked at the opposite wall and his mouth fell open in disbelief: there was the same composition on the other wall, line for line, design for design in every detail but one, there he saw a king looking just like him staring back at him. Suspecting what Rivka had done, he moved his hand over the wall – and it was cold and smooth. Yes, Rivka had put in mirrors, floor to ceiling and from one end to the next, so that Leib’s art was reflected on her wall.
As Leib looked at Rivka’s wall, he became very upset at his stolen work!. “Who won?” they asked the king. “Well, clearly it’s a tie,” said the king “Everything that appears on one wall is on the second. Each of you will be rewarded accordingly” Leib began to protest “No, don’t you see what she has done” “Silence” ordered the king, Return tomorrow and claim your rewards.
So they both returned. Leib was shaken , but Rivkah was relieved and happy. They entered the great hall to see a huge pile of gold, more than either had dreamed of. The King spoke to Leib: “You have created an inspired masterpiece, moving and beautiful. I am proud to be a patron of this magnificent work. Your gifts are truly from God. This gold is yours, and it will support your work for the rest of your life. Take it and make others as happy as you’ve made me.!”
Thank you so much your majesty! Cried Lieb, surprised, Thank You!
“Wait a minute, “ Said Rivka, “I thought it was a tie, and I was to be rewarded too! Where’s my reward?” “Oh yes, said the king, I did indeed promise each of you would receive your just reward, and I intent to keep it. There is your reward. And the king pointed to the mound of gold reflected in the mirror. “Now take your reward, leave my kingdom and never return. Rivka looked up in shock and slowly left the room.
When we Israelites were wandering in the wilderness, we fell in love with God at the Sea and at Sinai, and wanted to take God with us. So we built a portable palace, a Mishkan. Our best materials, and our most inspired , gifted artists made it from leather and gold and precious stones – to divine specs. And in the center was a fire that would never go out, a Ner Tamid, eternal flame.

The Mishkan can be a powerful metaphor. According to Rav Abraham Kook it can be a symbol either of the universe or of the human soul! Both are amazing to delve into. for example, the various precious materials of the mishkah, they formed, as did the various precious elements of our bodies, out of stardust cooked in a supernova that was in our part of the galaxy before our sun was born.  The various colors of the gems also remind me of the colors of the stars at night. But even more powerfully, the mishkan can be the human soul. Rav Kook writes:

What is so important about the construction of the Tabernacle that the Torah describes in such loving detail its measurements and furnishings? Was it not just an interim precursor to the Temple What eternal message does this temporary structure have to impart?…The Tabernacle enabled the Jewish people to express their devotion and love of God. But the Tabernacle was more than just a hallowed place to serve God. By examining its structure and parts, we may reveal the paths by which the human soul draws close to its maker.

So is there a design to the soul? If so, do the frailties and pits within our soul fall within that design: the aching yearnings? even the insensitive parts – the parts we don’t like – what could they be for? And what about that Ner Tamid, the “always light” – what part of our soul is it?  And why a tent, not a castle?  Some possibilities: it’s gotta be a tent because our lives are temporary and portable too, journeys through the wilderness. That doesn’t mean we shouldn’t make them beautiful for the journey. And that ner tamid: while everything else in the Mishkan is material, this is energy. Perhaps that flame is the fire of creativity and love. Leib means heart in Hebrew, and Rivka means “snare”, that’s why I chose those names. The story teach us each to live our unique and beautiful lives – no copies of anyone else. And to build it by filling it with inspiration and love, a holy Mishkan, and then God will always be with us.  A song about this: Olam Chesed Yibaneh, by R’  Menachem Creditor

Finally, one more song. This one by David Wilcox. I was listening to it by coincidence last week, when it occurred to me it’s about the measured dimensions of the soul: a Mishkan! And it brilliantly hits the nail on head in so many ways. Here are the lyrics below to What the Lonely is For

The depth of your dreams, the height of your wishes, the length of your vision to see

The hope of your heart is much bigger than this, for it’s made out of what might be.

Now picture your hope, your heart’s desire, as a castle that you must keep

In all of its splendor, it’s drafty with lonely, this heart is too hard to heat

CHORUS: When I get lonely, that’s only a sign

Some room is empty, but that room is there by design

When I feel hollow, that’s just the proof  That there’s more for me to follow, That’s what the lonely is for

Is it a curse or a blessing, this palace of promise,

When the empty chill makes you weep

With only the thin fire of romance to warm you,

These halls are too tall and deep

CHORUS

Now you can seal up the pain, build walls in the hallways,

Close off a small room to live in,

But those walls will remain, keep you there always,

And you’ll never know why you were given, why you were given the lonely

This week we celebrate the birth day of the Dr. King and we read of Moses’ father in law, the Midianite Priest Yitro (Jethro). And some things seem to come together in outrageous coincidence.

I love singing with the singers of the Baptist church for many reasons. First of all because they are just nice folks, and it feels so great to find common ground and build bridges, especially when it’s the hate that gets all the press. Secondly, I love the music and the musicians. The current music director is Brother Jack Blanton: Minister of Music, and he packs a huge and jazzy sound. Deacon Michael Wells conducts straight from the heart. And we can learn so much from their powerful, direct and passionate pouring of their souls into the music. Nothing tepid about it.

Their Pastor is inspired, the Reverend John Armstrong. He lost his young, beautiful wife tragically in 2010 and almost lost his life himself from a very recent illness, but he is the antithesis of bitter. Gushing about the blessings and the healing that he has enjoyed, about the meaningful and potent life can be, on the joy of praise, and of reaching out to help another, he brought tears to my eyes. We have so much to learn from our Friends of a different faith, and much to gain in embracing them in common pursuit.

In an outrageous coincidence, this week’s Torah reading, which dramatically includes the Ten Commandments, is named Yitro, after this the leader of another faith and culture. And yet it this foreigner/ kin that teaches Moses how to handle leadership by delegating! Tradition says we were all there at Sinai, and I could swear I saw Brother Jack, Deacon Wells and Pastor Armstrong there too next to Yitro!
One more thing: during the service we sang the old spiritual “We Shall Overcome“, and the Pastor spoke a bunch about overcoming, as did Dr. King. I noticed for the first time, that the word “Overcome” is built from the root “come”, although we think about it as a forward “going”. To what are we coming, when overcoming? Coming home? To one another? To truth and spirituality? I just know it’s better Hand in Hand!

This Friday evening and Saturday is called “Shabbat Shirah”, the Sabbath of Song, because the Biblical Song of Freedom and redemption at the shores of the Sea are chanted. Only song will do. Here is a living room recording  on Soundcloud of the my song-experience of that moment. Trapped, death all around, the only way out is heavenwards. (This song originated in this blog two weeks ago, but has changed)

Ozi: Every Beat of my Heart

M. Wolfson For Shabbat Shirah 5774

Return and return and return,  waves whisper upon the sand

Light flashes, scatters off iron, and horses and warrior men

I am caught between that wave and an impossible  land,

Moses, our hearts reach out to you.  Don’t be afraid he cries, “Lo Tira-u!”

Chorus

And the fear and the awe  in me crash, freezing space and time

I lift my eyes to the heavens so blue: there find hope, so sublime

Open to possibilities, inspiring Truth in my mind

If ev’ry beat of my heart is a miracle, why not here and now?

Ozi v’zimrat Yah:

Soon the wind starts to roar; takes my breath away, bringing tears to my eyes,

Holding my little ones close, praying: hear their cries

The Calvary horses all stomp,  the whites of their eyes mesmerize

And the force of the wind pushes water off sand, in surprise

Going home, I am free !  Ozi  v’zimrat Yah Ozi

BRIDGE: If You are my song I am strong; The melody, sets me free, strengthens me, ozi v’zimrat Yah Ozi!

Once again, inspiration comes from study with R. Ori Har of Aleph. Many thanks!
We all know the story of Noah’s ark, right? Speaking for myself, the answer is “Wrong!” , (and maybe I never really will). So what’s weird about this 100 meter long, 3 story cruise ship is that in all it’s hugeness, there is no light or air except from a single small window, and we in that boat are scared, adrift and nauseated. The demands keep us enfolded always in responsibility and darkness and trying to meet needs. There is only one opening for air and light. We are magnetically drawn to it. It seems the only thing worthy of our attention. It alone has the power to uplift, to save, to inspire us, linking us to worlds beyond our narrow one. I am hypnotized by that light, impaled and tethered to photons from worlds far away and beautiful.  R. Ori teaches via the Baal Shem tov, that the way to be connected and uplifted is through words, which have the power to both lift and create (as the world was created through “word”)  Words that are animated by passionate, musical prayer.  I resonate powerfully with this metaphor: how often have music and/or prayer been so brilliant, they outshine “reality”!

And yet, back in the darkness, and stench, and the nausea of that ark is: life. Not only life, but life’s only remnant and hope for continuance (and we know that life is “good” and “very good”). I don’t really want to go back down there, yet the ray of light that I am tethered to and inspired by is meaningless without that return.
Our world is in trouble now as then. Our actions to one another often inflicted enough pain to darken life and hope. We wound natural systems and creatures that, beautiful and worthy in themselves, we further need to sustain us. We despoil a planet. This planet itself floats as did that ark – but made of water, we float in space, housing the only remnant of life as far as we know or can reach in the universe.
So, I need to find a balance of working in the muck and tethering myself to life. But it takes courage to really work in the muck – these folks are my heroes. And it that stab of light can be elusive….
But maybe there’s another level. Although we stayed in that (d)ark a really long time, (almost a year, what with flooding and waters surging and returning), it wasn’t forever. The real next level is emerging into the light. What you really need faith for, is to know hat times of darkness will end, so that you no longer have to choose between life and light. Whether the darkness is personal depression or dark times, it takes courage to know things will be OK soon. The job of that light coming through is to remind us, to keep us tethered to that knowledge. If we despair, we won’t feed the animals, or ourselves, and so much will be lost- maybe everything.

 A psalm strongly connected for me begins Mi-ma’amikim, “from out of the depths, I call to you” (psalm 130) – maybe that would be my prayer from inside the boat. I heard  the words beautifully sung a year ago by Cantor Angela Buchdahl on the Shabbat following Hurricane Sandy, and the flooding and power outages that were the reality that week.  Maamikim by Idan Raichel project’s song, a love song derived from the words of the psalm – it is beautiful: powerfully connecting love to the call from the depths.

That moment of our crossing the sea, our birth day. What did it feel like, smell like, sound like? What was the score of our liberation? This week’s Torah portion lays the foundation with the names of our liberation from slavery. I am blessed to study, distance learning with Aleph‘s Reb Ori Har, who taught us wisdom from the text on crossing the sea: Pharoah drew close, he drew US close to the Heavens, to our Creator. Ori asked her students to close their eyes and be there. (I did not close them, but somehow was there). I was at the border of freedom, at the mouth – but the breath, the word has not yet escaped time’s lips. The salt air, the mud, the reeds, and a stiff breeze all assault skin.  Eyes tear and I hear the lambs bleat. Then the horn of war blasts and all becomes insanity. The sun glints on weapons – and the waves, which seem like knives too.
But what I really remember were the horses. Sweat steamed off them, and foam from their mouths, and terror in their eyes as their riders urged them on. Waves crash, children scream, and so do those horses. And there was no way out for them or me. Time stands still. I look up to the heavens. Everyone does. There is One way out, only upwards – and i finally can see the source of that light that glints off the animals flanks and the waves and the steel. I am aware and in awe. And here a ladder stretches with it’s foundations in the sand and it’s head reaching for the heavens- it is entirely made of light. Why did I never see it before? I feel as tall as the ladder. I hear Moses calling: “Lo tira-u” – do not fear, and fear and vision collide. And then the wind blows so hard, and my body splits the wind whipping so hard that some of my breath blows away, and my skin pushes into flaps. Ruach, wind, spirit, nefesh, breath – is within and without. Water is also within me and without. And the water pushes off the sand, and I will be free.

Return and return and return,  waves whisper upon the sand

And the light crashes and scatters off iron, and horses and warrior men

and I am caught between that wave and a very hard land,

where can I turn? my soul cries upward to You.  Don’t be afraid he cries, “Lo Tira-u!”

Chorus: And the awe and the fear crash in me, freezing space and time

I lift my heart to the heavens so blue: there find hope, so sublime

Let me open to possibilities, inspiring True in my mind

If ev’ry beat of my heart is a miracle, why not this, why not You, Mi Chamocha ba-elim Yah?

And the hard wind pushes my skin, and takes my breath away, can barely breathe, Ruach Elohim!

I hold my little ones close, don’t take them, please oh please

And the horses sweat and they snort, the whites of their eyes mesmerize

And the force of the wind pushes water off sand, going home, I am free, so surprised!

Ozi, v’zim’rat Yah Ozi!

Chorus

Nelson Mandela, his memory is for blessing.
We never thought Apartheid would end.
Perhaps there were those, world weary that knew that might makes right, that history is written by the winners.
The leader of the revolution placed in a wind swept, hopeless stone prison island had every reason to be embittered, bereft of hope… but he was not. He had every reason to be vengeful, for a life withered like a “raisin in the sun”, but he was not. Released from prison after decades to rule in optimism, even joy, he embodies hope  over despair.
Jane Goodall, heroine of mine travels the world trying to imbue people of different cultures and values with courage to reverse habits of  despoliation in order to preserve beautiful natural worlds so that we can pass them to our children and they can be sustained. Despair is the enemy of such change, so Jane carries with her four symbols of hope. They are:

1. a stone from the Berlin wall, which no one ever thought would come down
2. Mr. H, a stuffed animal given her as a gift. It belonged to a Marine named Gary who became blinded at the age of 25, and never lost hope, becoming a magician to make kids laugh
3. a leaf from Nagasaki, grown from a tree which budded following the atomic devastation
4. a stone from Robben Island prison, from which no one thought Mandela would emerge whole in spirit to see Aparthaid end, but it did.

So in tribute to Nelson Mandela, these words borrowed from Emily Dickinson

Hope is….
Hope is the thing…
Hope is the thing, Mandela.
Hope is the thing with feathers,
That perches in the soul.
And it sings the song without words,
And it never stops at all.

Hope is the thing, Mandela…

Today was a sort of grandparents’ day in my Hebrew school. The kids, grades K-2, were to learn about welcoming guests. I invited many of our senior congregants to visit and tell a story from their childhood. We made place mats, prepared a welcome song, set dishes and cups, and decorated a cake to be served with green and blue sparkly gel. We acted out the Torah drama of an elderly Sarah and Abraham running to serve travelers who were really Messengers on high, delivering news of impending parenthood. Their laughter turned real with the birth of their son, Isaac. We read a story of a boy and spider traveling to Israel, welcomed upon arrival and return. And then our guests began to arrive, and the excitement was in the air. Each child greeted adults, showed them to a chair, served them refreshments, and listened to stories of another generation. One guest shared a photo of her own grandmother with whom she lived in a small apartment shared by many. Another was born in Palestine, before it was Israel, and grew up in Buffalo NY, where a rite of passage for the boys in his synagogue was to climb a nearby church spire. Many shared warm memories of Shabbat meals and afternoons. And a connection was made across generations that I will remember well.  I really miss my own grandparents, they were my messengers on high. Telling stories, creating holiday meals, making me feel like a princess, like the world was for me. My own daughters are approaching an age that makes grandparenthood a potentiality in my own life, and it’s a sea change in prespective…

I did not realize when I set this program up, that the Torah portion for the week is about grandparents, parents and children. The parashah, Veyechi, opens with Jacob/Israel’s second life, the one in Egypt, after he’s found out that Joseph was alive, and his soul was restored by knowing this. He lived in Egypt for seventeen years, (same number as Joseph’s years when he was abducted) when the days of his death were drawing near. He not only has found his beloved, favored son again, but now has two grandsons by Joseph: Ephraim and Menasheh, and he tells Joseph he is adopting them as his own(!) and will bless them.  It must be happiness squared for Jacob who never expected to see Joseph again. Jacob has many other grandchildren, but none are accorded this honor.

Among all Jacob’s grandchildren, one girl is listed, Serah, daughter of Asher. The legend of Serah is extraordinary: it is said she is the one who told Jacob that Joseph was alive by creating lyrics and playing the harp so the shock would not be too great. She was then blessed by her grandfather, with the blessing of immortality! She moved to Egypt with her family, saw Joseph’s bones buried in the mud beneath the Nile, and then when the generation freed by Moses 400 years later needed to exhume Joseph’s bones to fulfill that promise to return him to Canaan, it was Serah who told Moses where to find the casket.

So after grandparents’ day, I tried to imagine what that scene in the tent was like, with Serah playing the harp. I imagined she was a favorite of her sad grandpa, playing to soothe the demons of this man with only half a spirit left. Perhaps she had already known that Joseph was still alive, but feared to tell him. Perhaps there were scraps of rainbow cloth for her. As she began her song that day what did it sound like? A minor start, falling melody, changing to a gentle major?

A favorite son has father Jacob, fair or form, but he did part from us. Stronger even than death’s angel, a dreamer, alive within our hearts; Yes, Joseph our beloved dreamer was to Egypt swept. He rose and told the dreams of Pharoah, in majesty was kept. He rules the kingdom, saves from famine, and calls us to his side. Arise grandfather and rejoice, beloved Joseph is alive.

Slowly grandfather Jacob lifts his eyes, accustomed to only looking down. What is this you say, Serah, is your song true? I know you would not break my heart, little Serah, you have always served me well. Can it be? Oh my beautiful girl, (how did I never see that before) it is too incredible to believe! You have restored my very soul. You know once I was open to the voice and the ear of the Almighty – I saw a ladder where heaven and earth touched. By that power I bless you , a life for a life returned, may you live and never die, my Serah.

Next week I am singing in an interfaith Thanksgiving service. The pastor of the host church has asked for members of the various faith communities to step forward in expressing Thanks Giving of an unusual kind: being thankful for their faith tradition itself. The assignment is to answer in just 2 or three sentences. The request was greeted at first with silence of the choir members. “That’s really hard to do, especially to explain to outsiders,” commented one singer. It reminds me of the challenge to Rabbi’s Hillel and Shamai: “if you can explain your tradition to me while standing on one foot, I will convert,” announced the seeker. Shammai sent the stranger away, annoyed, but Hillel accepted the challenge. “What is hateful to you do not do to another. The rest is commentary: go and study,” responded Rav Hillel. I decided to give this challenge a try, so, while standing on one foot, here is why I’m thankful:

I am so very grateful for this Jewish tradition, it has given me my life
It is a time machine: memories of delicious and melodic Holidays at Grandma’s bless my children’s lives as I teach them of their heritage
It’s treasury of wisdom gives me roots & grounds me, informing me how to give, and love, and see with eyes of radical amazement (in the words of Rav Heschel)
And In Becoming a part of its music I have found my voice and my heart’s wings.
Thank You
(I will put my foot back down now)

Jacob is finally going home. It’s been twenty years since he fled a brother swearing vengeance, and that same brother is approaching with 400 soldiers. Jacob must literally come face to face with his past as trickster, lier and thief. It is getting dark, and his entourage has made camp. Herds of animals, four wives, twelve children, riches, guards and servants. He calls for Rachel and Leah and his eldest sons. “Pick up stakes, move out across the river. Right now!” he commands. “Also, we must split up for safety into two groups. I am staying behind tonight, and will cross the river to meet you all in the morning.” As the boys leave to orchestrate the night crossing, Rachel and Leah linger. “Jacob, it’s the hour of the wolf and the ruffian. If you stay alone tonight who knows what will emerge from the night to consume you?” they whispered in fear. “I cannot keep you safe until I emerge from this darkness that weighs my spirit. I need to find some insight this night, I need to find…some strength. I know I cannot cross until I face….” his voice trailed. The women nodded, departing.
Perhaps this was the scene that preceded the Torah’s famous wrestling match. Jacob remained alone, and yet a man wrestled with him until the dawn was beginning to rise. The desperate wrestler displaced Jacob’s hip from his socket, but Jacob would not release his hold. Jacob will limp his whole life now. The mysterious stranger begs to be let go because dawn is rising (a river demon? an angel? his brother? himself?) “I won’t release you unless you bless me!” is Jake’s response. The man not only blesses him but renames him Yisrael, “wrestler with God” and so Jacob releases the man. He names the place of the struggle Pineal: face of God, and declares that his soul has been saved. He now is able to cross a river and find the road home, confront and enable reconciliation with his twin brother.
A song by Dave Wilcox, “Farthest Shore” puts into reality a need to be alone before crossing the rivers in our path. In this alone-ness we have the potential to find our values, our self. Jacob separates himself from all his possessions, his powerful sons, his defenses. Interestingly he fails to mention his daughter Dina in the list of things sent across. This dismissal, this lack, is mirrored in Dina’s being alone soon, and hurt, and then disappearing from this family. In this song, “Farthest Shore” the composer loses a home to fire. In this past year many on the Jersey and New York shore were similarly displaced from their possessions. Those I know found strength in family and community, in the aftermath of disaster.
Farthest Shore by David Wilcox

We were there in the wood by the water.
Left our pack up against the willow tree.
We dove right in keeping just what we were born with,
Our memories, knowledge and our dreams.
As I swam far away from our possessions,
I imagined they were gone forever more.
And for once I was glad that all I treasured
would still be with me as I reached the other shore
So let me dive into the water, leave behind all that I’ve worked for, except what I remember and believe.
And when I stand on the farthest shore, I will have all I need.
When the blaze turned our cabin into ashes,
where we slept warm now the sky lets in the rain
I found the strings and the frets and rusted latches,
but I will never hear that old guitar again.
These four walls are only in my memory,
these stone steps rise to nothing in the air
One last look and I’m headed to the river,
to wash my hands and try to say this prayer:
Let me dive into the water, leave behind all that I’ve worked for, except what I remember and believe.
And when I stand on the farthest shore, I will have all I need….

sound file and complete lyric

My student Manny (name changed) spoke up from the back row. We were discussing mental health issues in a Biology course. “I have PTSD”, he quietly shared with us. “I’m a Marine, and I was in Afghanistan.”
PTSD: post traumatic stress disorder. Memories are strongly linked to emotion. From the zillion moments we experience each day, memory of those that impact our emotions serves to help us avoid danger and remember the pathways to paradise. But sometimes we’re overwhelmed and re-live memories too intense to handle.
A fearful journey my young student has undertaken. Can God be in those horrific places, in the darkness of terror?” The kid is going through a really rough time. It’s a hard question to answer. Another journey from ancient times:

Running from Beersheva to Haran, from a watered oasis to return to the place Grandfather left so long ago, Jacob lies down for the sun has gone, to dream a dream.  And Behold there is a ladder with its feet in the earth and it’s head in the heavens, and there are messengers/angels going up and going down. And God stood over Jacob and spoke to him! Promises. “I am with you” Jacob awoke. Truly God is in this place and I, i did not know.
Awaken.
Each place in time and space can be filled with God.
If we dream and let the dream inspire so that we become aware.
And we are ladders. Our feet rooted in this good earth. And there are angels of God in us – messages that originate in our rootedness and make their way to our loftiest hopes and ideals, if we let them.  We need to be rooted, and to be angels for one another, that we must dream and reach for the heavens….
And Jacob felt fear and awe when he awoke.
And my student, Manny felt fear, and is struggling to find the angels, and to know that God is with him. Though the universe hums with potential, and God’s presence can be in any place or time we allow divinity to enter,  maybe war and cruelty drive that away.
Jacob eventually returns from his exile to the promised land. He is with his own family now: to face his demons, to wrestle and to become humble. Broken, and limping, but he can return.  I wish Manny victory over the demons he wrestles with, to return, to make space for the divine in his life (and I wish we would stop making overwhelming situations into which we send our sons and daughters).

Music for this parashah: Noah Aronson’s This place: it’s stunning! or my own: Between  Archives: Between, Nov 2012