Singing at the Shores of Release & Black History month (and psalm 13)
Sometimes things feel so bleak, you feel squeezed on all sides between a “Rock and a hard place”. But you are here today you made it: the baby was born, you recovered from that breakup, disease, accident: you were redeemed, and life felt suddenly new and shiny again. (I ‘m a big fan of the Pixar movie Soul, which acts out such a scenario!) Remember that feeling, the inspiration? One of the names for G8d is Rock, “tzur” in Hebrew. And the word for Egypt, “Mitzrayim” has the same root as Tsures – squeezed, troubles all around. (Funny, I never noticed the homonym there!) This week’s Torah reading, named Beshalach, referring to Pharoah sending the Israelites out of Egypt. This is the first climactic moment of the Passover story, of the Exodus. What is the response of the Israelites to freedom after 400 years of slavery? It is to sing! Does that seem likely to you? One day this past year, after I had been holding in frustrations, I rode my bike to an abandoned field. I tried to scream, but what actually emerged from my body was song. Maybe not so weird! This beautiful poem, the Singing by Rick Barot speaks of the power of a woman’s song. I wonder what the black woman in the poem saw on her phone that brought on the song? Announcement of a birth? a death? the daily news? a memory? A woman’s voice, in mourning, in lullaby, in despair, it seems like her song has all of these. She sings. she sings. she sings. she sings.
This is also Black History month in the US. There are many powerful songs that emerged from African slavery here in America, including “Swing low, sweet Chariot” The Chariot is code for the Underground Railroad! Many of these songs are still sung in churches today. They help deal with being overwhelmed and oppressed: squeezed with tzurus.
The first sound the Biblical slaves made in Exodus was groaning or crying out. They had been silenced, to repressed to make any sound until now, taking their condition as “the way it was” It was this primal cry that brought G8d into their midst. But their second was song. When did they sing and what did their song sound like? The answer in the text is that there were two times of singing: First Moses and the sons of Israel sang aspirationally: I will sing. Then Miryam, whose name I share, sang with the instruments brought along for just such a miracle and sang, dancing a circle dance. Many commentators put the women second, but the chasidic S’fat Emet explains that Moses song is aspirational in the world of our dreams, but Miryam sings for all both men and women in the now, dancing the circle, in which all are equal in their relationship to G8d who is in the center.
Miryam my biblical namesake, is derived from Mar (bitter) and yam, meaning sea. From the bitterness of slavery her song brought sweetness to the Israelites. Directly after freedom the Israelites become bitter again, concluding that G8d hates them. A living well of water follows them through the wilderness, which according to midrash is Miryam’s well – a rock that yields water! Connecting all those places and stories in the wilderness, creating a song which lasts all of Miryam’s life. The Israelite people now read the song of songs as an emotional description of the Exodus, and of G8d’s love. Perhaps the song was a love song. There is disagreement on whether the song began while crossing or after, but according to Chizkuni, Miryam began her song while the Israelites were still crossing! (source 7) This song is the moment of awareness of the immanent presence of the Holy one – the moment of falling in love. Song is the most appropriate sound!
Remembering: a postscript
For a long time the stories of enslaved people were not told. Here in Florida, it recently became illegal to teach those stories again in the public schools, and a young professor who happens to share my last name lost her post from a public college because she taught the history of slavery. As Isabel Wilkerson teaches so powerfully in her Pulitzer prize winning book Caste to deny this history is like denying your family history of disease when you go to the doctor, or to deny old damage in a house. It doesn’t work. The Biblical psalms are a study in Crying out to G8d, Here is a setting of psalm 13. In this psalm the poet despairs of G8d forgetting them – lets go all those emotions. But then remembers: Oh yeah, remember that time I was redeemed, you were there G8d and can be there again for me in love.
Miryam's Space 